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Cinemark Holdings CNK International Reportable — Film Rentals And Advertising

Other segment segments

US Reportable
$140.9M+24.5%

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Other financials

Income statement

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Revenue$643.1M+18.9%
Operating income-$18.6M+78.2%
Net income-$6.4M+83.5%
EPS (diluted)-$0.06+81.3%

Balance sheet

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Cash & equivalents$631.9M+16.4%
Total debt$1.1B-0.4%
Total equity$194.8M-35.9%
Total assets$4.9B-4.5%

Cash flow

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Operating cash flow$164.9M+60.6%
CapEx$35.1M+42.1%
Free cash flow-$43.1M+4.6%

Valuation

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Market cap$3.95B+8.2%

Profitability

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Operating margin-62%
Net margin5.3%-2.9pp
FCF margin5.3%+2.8pp

Returns & leverage

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Return on equity68.9%+43.2pp
Debt / equity19.5×+6.7×
Current ratio1.3×+0.2×

Where this comes from

Reported directly by Cinemark Holdings in its filing.

Tagged under the XBRL concept cnk:FilmRentalsAndAdvertising.

The official record: Cinemark Holdings’s 10-Q, filed May 1, 2026, on SEC EDGAR. View the filing →

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Questions, answered.

What is Cinemark Holdings's international reportable — film rentals and advertising?
Cinemark Holdings (CNK) reported international reportable — film rentals and advertising of $28.8M in Q1 2026.
How has Cinemark Holdings's international reportable — film rentals and advertising changed year-over-year?
Cinemark Holdings's international reportable — film rentals and advertising increased by 2.1% year-over-year, from $28.2M to $28.8M.
What is the long-term trend for Cinemark Holdings's international reportable — film rentals and advertising?
Over 3 years (2022 to 2025), Cinemark Holdings's international reportable — film rentals and advertising has grown at a 6.1% compound annual growth rate (CAGR), from $120M to $143.2M.
What does international reportable — film rentals and advertising mean?
Reflects the costs incurred for licensing motion picture content from film studios and associated advertising expenses for the international segment. This is a primary variable cost linked directly to box office performance and content distribution agreements. Monitoring this helps assess the profitability of film exhibition relative to studio revenue-sharing models.